Temple Layout - The Rajagopuram stands tall on a massive rock, boasting seven tiers that add to its grandeur. Upon entering the outer prakaram through the gateway, we are greeted by the sannidhi of Valampuri Vinayaka, who is also revered as the 'Sthala' Vinayakar of this temple. Moving on to the sannidhi of Vinayaka, we are met with the sight of Gyanasambandhar, holding an instrument that bears a striking resemblance to a percussion. Adjacent to the Valampuri Vinayaka, we find the Viswanatha Lingam and this prakaram also houses a sannidhi dedicated to Annamalayar. As we pass through another gateway, we draw closer to the sanctum of the presiding deity Athulyanathar, west-facing, which is surrounded by a moat-like structure. Within the prakaram, encircling the sanctum, we encounter sannidhis devoted to Navagraha, Bhairava, a stone-carved Narayana, Narthana Ganapathy, and Mahavishnu in a standing posture, holding his Sudharshan Chakra. The stone idols of Saptha Mathas are meticulously aligned in a row. Additionally, the Nataraja sabha is also nestled within this prakaram.
Sri Soundra Kanakambika, the female deity, is positioned in her sannidhi facing south. In this temple, Lord Muruga is portrayed with one face and six hands holding weapons, and is accompanied by his consorts Valli and Deivayanai in a north facing sannidhi.
Situated amidst the rocks near the temple lies a sacred water body known as Bheema Theertham, named after the legendary character Bheema from the epic Mahabharata. It is said that Bheema himself constructed this pond for Draupadi, also known as Panchali, to bathe in. Adjacent to the Rajagopuram, there stand five large cave-like structures that are believed to have been utilized by the five Pandava brothers during their period of exile. These structures, though currently unoccupied, hold significant historical and mythological importance. Legend has it that following their victory in the Kurukshetra war and subsequent coronation, the Pandavas revisited this temple to pay homage to Athulyanathar and Sri Soundra Kankambika. Just as they were blessed with the restoration of their kingdom and possessions by Athulyanathar, worshippers at this temple are believed to receive similar blessings and have their lost fortunes reinstated through the divine grace of Athulyanathar and Sri Soundra Kankambika.
The pathikam composed by Thirugnana Sambandar is in the third Trimurai. In his Pathikam, Sambandar portrays Athulyanathar as the alleviator of our troubles, the absolver of sins for those who hold Him in their hearts with affection, and the bestower of eternal life in Shivaloka.